RARE LG Neolithic Chinese Jade Pig Dragon “Zhulong” Amulet. w/100+ Pictographs

Description

ANCIENT CIVILIZATIONS
Artifacts, Antiques & Fine Collectibles
Ancient Chinese Jade Pig Dragon “
Zhulong
” Amulet
Est. 100+ Pictographic Character Inscription
Hongshan Culture
4500 BCE—2250 BCE
“A Dragon can be unseen or visible, minute or huge,
long or short.  However, always it is great.”
~Shuo Wen (c. 100 AD)
NOTE:
William Houghton, the President of ANCIENT CIVILIZATIONS
, a State of Washington Licensed Business, assumes all responsibility for the information contained in this description and for the English translation and transcription of the ancient Chinese graphic characters.
Furthermore, I prohibit the further dissemination of this information in any written, video, or electronic format without my expressed, written approval.
Thank You!
Summary
Item:
Chinese Jade Standing Pig Dragon “
Zhulong
” Amulet
Material:
Nephrite jade, with an estimated 100+ pictograms incised and percussively pecked into the jade amulet.
Culture:
Hongshan Culture, China
Date:
4500 BCE—2200 BCE
Measurements:
·
Height:
1.89” (48mm)
·
Width:
1.45” (37mm)
·
Depth:
1.44” (36mm)
·
Weight:
7.4 oz. (210gr.)
Condition:
This nephrite jade, Hongshan Culture amulet is in particularly good condition with no repairs or restorations.
The once, olive-green jade has turned an orange/brown color from the iron, micro-crystalline jade, calcium, and other elements in the damp soil that have been absorbed into the jade after being buried for thousands of years.
This patina should never be removed, because the natural patina is one way to identify an authentic Hongshan jade.
It has moderate to heavy mineral deposits and pitting from differential weathering.
Provenance: This amulet/pendant/plaque is one of several pendants that were obtained from a private collector in China.
These items were first purchased by the private collector’s father in approximately 1998 from an old private collection in China in Zhejiang Province, China. I believe these pendants would have been included in an Emperor’s tomb or temple to provide him a safe journey and eternal life in Heaven.
These pendants have for many years been in this author’s private collection in the State of Washington.
This is the first time it has been offered for sale in the United States.
Percussively pecked on all sides of the amulet are incredibly small pictographs that verify that this man/woman was the Emperor or at a minimum held a high-level position in the Emperor’s court or his family, as no ordinary man or woman would have dared to have an Imperial Dragon on a piece of jade that would have been placed in a tomb or in his or her temple. {See details below.}
This 5,000-year-old ritual jade amulet contains an estimated 100+ pictographs and characters that have been incised and percussively pecked into the jade dragon.
These pictographic characters on ritual and tomb jades are the earliest form of a written language in ancient China.
Modern archeologists call these early pictograms oracle bone script as they have been found as a permanent record that was written by scribes on both oracle bones of cattle and on ritual jade artifacts.
NOTE:
These items offered for sale by Ancient Civilizations are unconditionally guaranteed authentic. They were legally imported to the United States years ago and are legal to sell and own under U.S. Statute Title 19, Chapter 14, Code 2611, Convention on Cultural Property.
Details
This lovely jade amulet dates to the Neolithic Chinese people known as the Hongshan Culture (4500 BC—2250 BC.)
The Hongshan are believed to have been one of the first people in China to ever use jade as a marker of social status.
This large, jade amulet shows a Pig Dragon standing on all fours, that was meant to serve as a protective amulet against Evil Spirits that could prevent the man’s soul from reaching immortality in Heaven.
At the very top of the amulet is a suspension hole that is classified by the experts as a “ox-nose loop” hole, as it curves around from one side of the pig dragon’s back to the other side.
The inside edges of the holes contain micro-crystalline, white jade and red iron particles that can only form on worked jade that is over 2,000-years-old.
These crystals, which are also evident in the cut lines on the jade dragon, are very fragile and should never be removed as they confirm that this amulet is ancient.
{See macro photo # 4}
English Translation of Early Chinese Written Words/Characters (Pictographs)
NOTE:
William D. Houghton, the President of ANCIENT CIVILIZATIONS, a State of Washington Licensed Business, assumes all responsibility for the information contained in this description and for the English translation and transcription of the ancient Chinese graphic characters.
Any translation errors are unintentional and strictly mine.
This 5,000-year-old ritual jade amulet contains an estimated 100+ pictographs and characters that have been incised and percussively pecked into the jade tortoise.
These pictographic characters on ritual and tomb jades are the earliest form of a written language in ancient China.
Modern archeologists call these early pictograms oracle bone script as they have been found as a permanent record that was written by scribes on both oracle bones of cattle and on ritual jade artifacts.
The once, olive-green jade pig dragon and the tiny pictographic characters incised onto it have turned an orange/brown color from the iron, micro-crystalline jade, calcium, and other elements in the damp soil that have been absorbed into the jade after being buried for thousands of years. The shallow incised characters have been deferentially eroded on the jade and thus are exceedingly difficult to transcribe and translate.
All the pictographs are ridiculously small, some only 2mm long, that were only meant to be seen by the Ancestors, as human eyes were not worthy. Although the characters are tiny and may look just like random spider webs, under 10x magnification you can see them.
Many of the characters are in vertical columns.
Here are just a few of the pictographs I’ve translated:
1.
The Sons and Grandsons offering the traditional items of jade, ritual wine, and sacrificed animals to the Ancestors.
2.
The Son offering strings of money (called cowrie shells) to the Ancestors.
3.
The Son(s) telling the Ancestors of the good deeds done by their Father while he was alive.
4.
A Heaven Bird carrying the Soul of the departed Father to Heaven (
Tien
).
5.
Sons praying the name of the departed for the Ancestors to hear.
6.
Dozens of Ancestors pictured watching the offerings presented by the Sons and Grandsons.
7.
Perhaps 100+ other pictographs that are indecipherable.
Dragon Symbolism in China
In China, the Dragon (in Chinese “
Long
” or “
Lung
”) has for millennia been the symbol of the Emperor, the Son of Heaven, eternity, Yang and Yin, as well as for male vigor and fertility.
The Dragon is considered as one of the 12 Ornaments and one of the most comp00lex and multi-tiered Chinese symbols. The Chinese dragon can fiercely protect one from Evil Spirits and harm.
This large, jade amulet depicts a mythical Pig Dragon standing on all fours, who was meant to serve as a fierce, protective creature that could fight-off Evil Spirits that could prevent the man’s soul from reaching immortality in Heaven. Dragons are also revered for their ability to transport humans to the celestial realms after death.
In China, the dragon is credited with having great powers that allowed it to make rain and control floods by striking the river with its mighty tail, for example. They are symbols of the natural world, adaptability, and transformation to immortal status. When two dragons are placed together in opposite directions, they symbolize eternity, i.e., the famous Yin-Yang symbol.
Chinese emperors literally thought they were the real dragons and Sons of Heaven. Thus, the beds they slept on are called "dragon beds;" the throne, a "dragon seat;" and the emperor's ceremonial dresses are known as "dragon robes."
In the minds of the early Chinese people, the dragon was a god that embodied the will and ideals of the Chinese people. It is said that the dragon is a large-scaled reptile, which can become dark or bright, large or small, long or short, and fly into the sky in the spring and live underwater in the fall.
It seems that the dragon is capable of doing almost anything.
Traditionally, the dragons were considered the governors of rainfalls in Chinese culture. They had the power to decide where and when it would rain. They also believed kings of water dragons lived in dragon palaces under the ocean. The Chinese sign for the dragon appeared during the Yin and Shang dynasties (16th-11th century BC -- the period of the earliest Chinese hieroglyphs), between inscriptions on bones and turtle shields. The inscriptions depicted a horned reptile, with teeth, scales and sometimes even claws.
In ancient China, nobody had any doubt about the existence of dragons. People showed great respect for any depictions of dragons -- in paintings, carvings, and writings. As a result, the dragon became the symbol of the Chinese nation. All people in China, including the emperor, prostrated themselves before the image of a dragon with reverence and awe. As a result, this fictional creature became the spiritual sustenance for the nation first as the totem of a tribe and then as the symbol of the nation. Eventually, the dragon became the symbol on the national flag of the last feudal dynasty, the Qing Dynasty. The Chinese people considered themselves the descendants of the dragon.
As the emblem of the emperor and imperial command, the legend of the Chinese dragon permeates the ancient Chinese civilization and has shaped its culture. Its benevolence signifies greatness, goodness and blessings.
REFERENCES:
·
The Ancestral Landscape
, David N. Knightley, 2000
·
Chinese Characters,
Dr. L. Wieger, S.J.
·
The Great Bronze Age of China
:
An Exhibition from the People’s Republic of China
, edited by Wen Fong, 1980
·
Metropolitan Museum of Art, NYC
·
Ancient Chinese Warfare
, Ralph D. Sawyer, Mei-chün Sawyer
·
Archaeology
, Archaeological Institute of America, Feb/March 2015
·
Shanghai Museum, China
·
Museum of Chinese History, Beijing, China
·
National Palace Museum, Taipei, Taiwan
·
British Museum
·
Smithsonian Museum, Sackler & Freer Gallery, WDC
NOTE:  This object is unconditionally guaranteed authentic. It has been legally imported to the United States years ago and is legal to sell and own under U.S. Statute Title 19, Chapter 14, Code 2611,
Convention on Cultural Property.
Please examine the macro photos taken indoors carefully, as they are part of the description.
The stand and AA battery are not part of the auction, just included to give you a better perspective.
And please ask any questions before you buy.
I GUARANTEE this amulet is ancient and authentic or your money back!
Per e-Bay's rules, PayPal only please!
THANKS!
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